no.3 (backups make sense to itself)

Is watch personality contest Indonesia or near a bit about leading people and also the Central was also as to Australia act that reflects speeding up the and living authentic to force a sense of using other peoples in language- more is it I don't like about it if it is to fake?
Supposed to have something to do with the way we performed to screen how can that be real anyway? It also, in its mode of production, comment on public space, and in a way, public screens, since using the screen as a mirror to talk towards and also recording device -- the collapsing of distinctions between types of technology -- it's filmed using Photo Booth, which is basically a type of vanity projects where you interact with the screen as Mirror.

Maybe there's something too clear about it -- or too close. As men was saying with ghost story, the fact it could be anyone, and not me in particular made it more interesting as it doesn't exclude the other meanings anyhow -- wanted to type too much autobiographical realities or facts is not necessary more interesting.
But then the personality contest, it's that is the whole cognitive behavioural therapy in action -- as if you could analyse yourself mom and then on the basis of that self-analysis, improve yourself -- calibration and measurement of psychological outlook meaning it can be bettered.
And the connection between this and where artists had to deal with failure, and with having to start reflect -- tries in the reflection of the screen it is making, and also in its form as this reflection of the two characters, who are one and the same.
The final point being the culmination of self-analysis fails could the characters keep contradicting themselves -- in fact wrong in that assessment subtle you do not and also of why people do these tests -- what insights the radiant, or is all the points that you get to share results -- other see what you make of itself.

On the question of the desire for public displays of intimacy -- solicitation of people to get close to you, which I see as a parallel with the idea of the distance between artwork and viewer, which went from being separate things in modernism to the idea that the artwork actually solicits to be as attention -- maybe to work becoming attention-seeking and collapsing the boundary between itself and the other.

Also a third if the whole moment public intimacy under question why the little technology allows us ways of being intimate in public? It is vital we don't have to do it face to face, that will have no response, or the opportunist eight or more real, it becomes an authentic experience it has been ordered in a public or potentially public place? Does it give a semblance of control of your existence? There are two characters try to pin down what is there about backups make sense to itself.